Intern Dylan Daniels Blogger

Author: James Lynch

Intern Dylan Daniels Blogger

Posted on by James Lynch

Art is often seen as decoration or entertainment, but in reality, art can serve a deeper purpose. Art, whether in visual arts, performative art, or any medium between them, plays a crucial role in both community growth and personal development.

  • Cultural Expression:

Art reflects a community’s values, traditions, and aesthetics, and helps understand the history, culture, and experiences of others. People often create art to express their culture, and others can use art to help them understand someone else’s culture. While many cultures are diverse and distant from each other, art helps build the bridge across cultural landscapes. 

  • Community engagement:

Art brings people together through galleries, museums, and performance spaces. It creates a platform for collaboration and invites everybody to connect with art and one another. Public art projects further enhance engagement, in turn making stronger bonded communities, fostering a sense of collective identity and pride.

  • Education and creativity:

Art programs provide opportunities to learn new skills and foster innovation and creativity. Fostering these attributes is important for personal growth, development, and critical thinking skills. Art is necessary to achieve full creative potential and unlock skills such as emotional intelligence, and cultural awareness.

  • Economic growth:

Art contributes to the local economy through tourism, cultural events, and the selling of arts and goods. It creates a good source of revenue, creates jobs for artists, and has a larger economic impact than other sectors such as construction. Whether it be galleries, museums, or programs, art delivers financial benefits.

  • Health benefits

Participating in and experiencing art improves mental health, reduces stress, and enhances well-being. Art is a creative outlet people can use to express their emotions and thoughts, leading to a deeper understanding of themselves. Art therapy can further help disorders such as depression and reduce symptoms of PTSD.

  • Personal development

Creating and experiencing art can promote personal growth, self-discovery, and a sense of accomplishment. Art can be used to explore personal goals and express thoughts or feelings. Expressing feelings through artistic means can help one develop creativity and problem-solving skills, and can lead to self-exploration and self-reflection.

  • Communication beyond words

Art can transcend linguistic and cultural barriers, serving as a universal language. Art allows people to communicate complex emotions and thoughts non-verbally and allows anybody to create their own interpretation. Art can also inspire others to create art of their own, and can then further inspire more people.

  • Emotional impact

Viewing art can help inspire creation, and impact people’s own thoughts or emotions. Art is profound and evokes deep emotions that may have been impossible to reach without art. Whether it is the narrative of a film, colors, and shapes on the canvas, or the sounds of combined instruments, art allows people to unlock and understand their emotions.

  • Voice

Art gives people a voice when they feel as though they might not have them. Although some might struggle to express themselves through writing or speech, Art provides an alternative way to reach people. Art can inspire change, challenge harmful norms, and impact the world for the better. Art’s ability to evoke emotions and provoke thought makes it a powerful tool for sparking conversations about important social issues that may otherwise go unnoticed or unaddressed.

  • Aesthetic enjoyment

While art is so much more than just something cool to look at, it can also be just that. Art doesn’t always have to be meaningful and can just be a decorative piece or a funny movie. Art contributes to the beauty of the environment and boosts the morale of communities. This enjoyment and appreciation for art creates a sense of pride and connection in communities.

Ultimately, art transcends mere decoration. While it can be as simple as a cool painting, it can also be a creative outlet to express emotions, thoughts, culture, and experiences. Incorporating art into communities not only enhances our environments but also fosters creativity, empathy, and a deeper understanding of each other. Art encourages the exploration of thoughts, feelings, and cultures,  making it essential for creating communities where everyone has a voice in the ability to express themselves creatively.

Dylan Daniels, TAC Intern, with AI tools and Image by Canva

The New Project Gallery Welcomes its First Artist-In-Residence

Posted on by James Lynch

TAC unveils its new Project Gallery. This space acts as a studio gallery for working artists to participate in artist residencies. It’s located downstairs on TAC’s studio level, where classes, camps, and workshops are held throughout the week.

The first artist to commemorate the space is Bari Wieselman Schulman. Bari is a painter and holds a PhD in Psychology from the University of Chicago. Her background in the psychology of language informs her style, which is very gestural, full of abstract shapes that bring to mind cursive lettering, or even cave paintings and hieroglyphics. She has filled the gallery with her work on paper, wood, and fabric, and will soon host an artist discussion on May 30th.

Bari will work on select days in the Project Gallery throughout May and June, using it as a studio and exhibition space to showcase her work as it evolves in real-time. She has named the current body of work, which adorns the walls in swaths of color, chaotic coherence coherent chaos.

With the Project Gallery finished, we hope the students and guests at The Center are inspired by seeing a working artist creating freely. Stop by to see the Project Gallery anytime during TAC gallery hours, Mon-Sat, 10 a.m. to 4 p.m.

Unbearable Memories, Unspeakable Histories, Part 2: Partition Anti-Memorial Project

Posted on by James Lynch

On Mourning, Memory, and Monuments

by -Mia Morettini

On July 4 of this year, Highland Park citizens, joined by senators Tammy Duckworth and Dick Durbin and Governor JB Pritzker, gathered at City Hall to begin a procession through the city. Their march began in somber silence at exactly 10:14 am—the time at which just one year earlier a mass shooting during the city’s Independence Day parade left seven people dead and 48 others injured. This gathering was not only a moment to memorialize a tragedy. It was a reclamation of a community celebration that for the past year has been shrouded in violence. 

In “Unbearable Memories, Unspeakable Histories, Part 2: Partition Anti-Memorial Project” on view at The Art Center, Pritika Chowdhry offers her own reclamation of history. The exhibition is a reenvisioning of the historical narrative of the 1947 Partition of India, Pakistan, and later Bangladesh—a division that is historically celebrated as the independence of India from the vice grip of British imperialism. Far less acknowledged are the long-term effects of partition: masses of displaced people, violent border disputes, and ongoing crises in the region of Kashmir. 

In her approach to commemorating the Partition as a moment of empowerment for formerly colonized nations and great devastation in its social reality, Chowdhry remarked, “India’s independence in 1947 is forever linked with its ghostly twin, the Partition.” Spectrality is key to approaching Chowdhry’s work in its form, content, and significance to the Highland Park community.

By meticulously casting latex segments of significant monuments to the Partition in Delhi, Lahore, and Dhaka, Chowdhry is able to bring great stone and marble monoliths into the intimate space of The Art Center’s gallery. These casts bear only the traces of their architectural sources—an emboss of relief carvings and brick and mortar—and gain an embodiment reminiscent of flesh or fauna. While the original monuments are popular sites of tourism and pilgrimage, Chowdhry’s casts float from ceilings, bear visible wrinkles and blemishes, and cast semi-opaque shadows as light streams through their thin skin.

Chowdhry allows the monuments to take on a life beyond their didactic roles as markers of history and sites of remembrance. She presents them as works of art—sculptures to be studied closely, situated amongst, and contextualized within contemporary discourse. Moments of familiarity and definition in Chowdhry’s anti-monuments are overwhelmed by the new interpretations and interactions they take on in the gallery. These efforts illustrate her counter-memory lens—that is, a memory formation built through lived experiences and social realities rather than widely acknowledged historical narratives. In her fleshy, haunting notations of the partition, Chowdhry illustrates that history is not a fixed point outlined by a handful of monuments, but something strange, personal, present, and ever-shifting.

For the sake of healing, counter-memory work could be an important project for Highland Park. While ostensibly distanced from the histories Chowdhry’s anti-monuments reference, this audience can find companionship with her approach, perhaps even a rubric to take note of– challenge the ubiquity of American mass shootings, remember together– in small moments and grand gatherings. And in the act of memorializing, hold space for celebration, challenge, strangeness, even haunting. History lives within and through the present day, and it is our task to continue to reckon with it.

 

 

So Much Good Under One Roof

Posted on by James Lynch

 

Recently The Art Center once again played host to the Annual Awards Ceremony of The Highland Park Community Foundation. Each October grant recipients gather for a 90-minute meet and greet event during which they receive their grants for the coming fiscal year. None of the recipients know the amount of the award ahead of time and that adds to the excitement of getting together. Each group takes a photo with their HPCF Foundation Liaison and everyone is all smiles. It is a congenial and fun event, but it is also a seriously necessary part of life in our communities – Highland Park and Highwood.

The HPCF is a blessing to Gratitude Generation, not only because it helps provide funds to increase our programming and reach more people, but also because the leaders of the foundation are cheerleaders and personal supporters of our mission.

Nicki Sutherland, Executive Director, Gratitude Generation

Like the theme of the HPCF annual fundraiser, Gather for Good, the awards ceremony is a gathering of good people from good organizations who do good things for others: Cancer Wellness Center, Highland Park Community Early Learning Center, Midwest Young Artists Conservatory, Northern Illinois Food Bank, Highwood Library, Highland Park Library, plus some fifty or so others. This year, the HPCF distributed 63 annual grant awards, totaling $746,925 – $133,725 more than in 2021. The effect of this entity is exponential in creating services as they fulfill their promise to support organizations and programs that address the unmet needs of our community and expand opportunities for all Highland Park and Highwood residents.

The Bitter Jester Music Festival has been able to expand and improve its offerings to the Highland Park community – taking them to the next level – because of the HP Community Foundation’s financial and structural support.

Nic DeGrazia, Bitter Jester Music Festival

The good work of the Highland Park Community Foundation was the reason behind TAC honoring them for their 30th anniversary during our last Annual Spring Benefit. During the worst days of COVID HPCF sent out emails with resources for the community, including emergency funding for urgent needs, and they were the first (and best) choice to lead the July 4th Shooting Response Fund, award Golden Apples to exceptional educators, administer the Jack Blane Community Service Award, and consistently find new ways to serve the community.

The Highland Park Community Foundation is a critical partner in our efforts to bridge equity for those who are marginalized in our community. We are grateful for our partnership and look forward to continuing to collaborate in this effort.

Carmen Patlan, Executive Director, Highwood Library

The Art Center Highland Park has long been a grateful recipient of an annual grant from the foundation and it is one of our larger gifts, making our education, exhibits, events, and community-building programs possible. We invite our community to support and acknowledge the great work they do for all of us.

The Highland Park Community Foundation has repeatedly made the Library’s Note for Note concert series possible, bringing diverse cultural experiences to our community through music and often dancing in the aisles!

Heidi Smith, Executive Director, Highland Park Library

 

More information can be found by visiting their site.

 

Iron Five Video Event at TAC

Posted on by James Lynch
One-night-only screening

Wilmette resident and Art Center Faculty member, Rino Liberatore will showcase his documentary “Iron Five”, chronicling the story of the 1963 Loyola Rambler Basketball Team, still the only school from Illinois to ever win the NCAA Championship in a game that shattered a racist barrier in college basketball.

In 1963 there was an unwritten rule in the NCAA prohibiting college teams to field more than two Black players at a time. Loyola’s starting line-up had four Black players and one white player. See what happened when they braved threats, tradition, and bigotry in this amazing documentary about the game Time magazine called one of the most important moments in college basketball history.

The film includes interviews with members of that celebrated team. “Iron Five” debuted at The Black Harvest Film Festival and aired on WGN-TV. It can only be seen at this special event on Thursday evening December 2nd at 7 PM at The Art Center, 1957 Sheridan Road in Highland Park. Advance tickets will are now available for this screening. https://bit.ly/3kqmzxY

The Art Center, a not-for-profit organization, is the North Shore’s home for artistic discovery and creative exploration. Through innovative programs, exhibitions, and classes designed for all levels and ages, The Art Center provides a welcoming space for our diverse communities to experience and participate in the arts.

The documentary lasts 22 minutes and will be preceded by a director’s reel of archival work, and finish with a Q&A with the producer/director Liberatore. Question and Answer with the film’s creator will follow the presentation.

 

Vaccination proof must be supplied at the door and masks are required

$10 e-Ticket available here.

The Art Center is a Local Business Too!

Posted on by James Lynch

The Art Center Highland Park is a Local Business, too.

Have you ever even considered the value of Highland Park having a thriving arts center just off-center of our downtown? Do you realize that we’re a business, too, and that we drive results to our community in a big way?

You may not think of it in this light, but we’re a business, too.

  • We employ 3 full-time and 4 part-time employees year-round
  • We have a pool of 60 teachers who are independent contractors and depend on us for income
  • We create summer employment for teens in our summer camps
  • We never turn down a scholarship request and have done outreach programming from Highland Park to Waukegan
  • We collaborate with other not-for-profits to support their success by offering discounted rental rates or free room use when possible
  • We operate on just under a $1m budget and (pre-COVID) trend income positive
  • We don’t always ask for ‘freebies’: we regularly buy hardware supplies, use caterers, buy beer/wine/liquor, use printers, security companies, plumbers, landscapers, and electricians and we choose local businesses as often as we can.
  • We do not own our building – we pay rent to the city
  • Our employees, teachers, and students shop and eat locally
  • We attract 30,000 attendees each year to our events, classes, and festivals
  • For our summer concerts on the lawn, we incentivized attendees to shop/dine locally and gave them a free raffle ticket if they could show a same-day receipt.
  • Our executive director is on the city’s Cultural Arts Advisory Group and is a member of the Chamber of Commerce
  • Our Art Walk recently showcased over 40 stores throughout the city at no cost to the store owners
  • Our gift shop offers unique gifts and we charge sales tax like any other store
  • Our events bring YOU sales

“Event-related spending by arts audiences reflects an average of $22.87 per person in spending for hotels, restaurants, parking, souvenirs, refreshments, or other similar costs-with non-local attendees spending nearly twice as much as local attendees ($38.05 compared to $21.75)”

NATIONAL ARTS ADMINISTRATION AND POLICY PUBLICATIONS DATABASE (NAAPPD)

As we tell people, the arts are not the icing on the cake, but a key ingredient to success. We want to remind you that we’re willing partners for anything that we can do to support the health and welfare of the Highland Park business community and we hope we can count on you for any support you can give us in return – raffle items, hang our event posters in your windows, and consider holding events, parties, or team building events at our center.

We want to be YOUR business partner. Please reach out to us for any ideas for collaboration, brainstorming, or programming that will support your business. We are invested in our community and hope you are invested in us.

Reach out to James M. Lynch, Executive Director, 847-432-1888, ext. 4

 

Please also reference our arts community friends: Bitter Jester Music Festival, Ravinia Festival, Highland Park Players, Makkai Ballet, North Shore School of Dance, Soul 2 Sole, and others

Henri Dauman: a Conversation

Posted on by James Lynch

This is a unique event for The Art Center. We rarely feature one artist, one artistic medium in our main gallery. But when we were offered the opportunity to be the FIRST midwest exhibitor of the photography of Henri Dauman we jumped on it. The exhibit is open from October 1 through November 13, Monday through Saturday, 10-4, or by special arrangement for groups with special needs or other requests. Read more about it by CLICKING HERE.

The night before the opening Curator Caren Helene Rudman and Executive Director James M Lynch had the opportunity to talk to Henri and his granddaughter, Nicole Suerez, and her husband, Peter Kenneth Jones, respectively the Producer and Director of the documentary film about Henri’s life, Looking Up. The video below is a part of the conversation they had about the life, work, and future of this gifted genius, Henri Dauman.

Update on COVID Policy, Masks and Vaccination

Posted on by James Lynch

Dear Faculty, Students, and Staff;

It has been great to have live classes back in our building for the past few months. We’ve made every effort to remain a safe space, with masks, smaller classes, and social distancing. Whenever possible our events and get-togethers have been staged on our front lawn to minimize the risks of social gatherings.

Unfortunately, with the new Delta variant, we need to go back to stricter controls. Here are the requirements for visiting TAC as of September 7, 2021.

  1. For our Fall classes, we plan to be fully in-person in our galleries, events, and classes.
  2. All in-person staff, faculty, students ages 12 and up, and vendors must be vaccinated*
  3. Faculty, TAC Staff, and Students ages 12 and up are required to show proof of their vaccination status and proof-of-vaccination documentation by September 7 (per Governor Pritzker’s Executive Order, issued August 26, 2021)
    1. You can present your documentation to either the Director of Education, Mairin Hartt, or Executive Director, James Lynch,  on the day of your first class or can email your documentation to the Director of Education
    2. TAC will not keep your documentation on file and you are not required to show proof-of-vaccination documentation to anyone at TAC except the Director of Education or the Executive Director. **
  4. All staff, faculty, students, and vendors will be required to be vaccinated to attend live events, classes, or workshops.
  5. Keep your proof with you. TAC reserves the right to ask for proof of vaccination status for any participant in live programs, classes, or workshops held in our facility.
  6. Regardless of vaccination status, anyone entering the premises of TAC will be required to wear masks covering their nose and mouth, including in studios and classes.
  7. As per CDC and IDPH guidelines, a minimum of 3-feet distancing will be maintained in classes and throughout the building to the extent possible.
  8. Remember: Break-through Covid-19 infections are possible even for vaccinated individuals. We continue to require that you should stay home if you are not feeling well and not return to live classes, studio time, or events until you test negative for COVID-19.
  9. We will continue to monitor state and CDC guidelines and update our policies accordingly. Let’s hope for the best.

* If you are not vaccinated, you must show proof of receiving the first Covid Vaccination shot or proof that you have scheduled your first shot Covid Vaccination shot. If you have received your first Covid Vaccination shot, you must show proof of schedule for the second injection within 42 days of the first shot. All in-person Faculty, TAC Staff, and eligible students must be fully vaccinated by October 30.

** In the case of a medical exemption, medical documentation will need to be provided to the Director of Education or Executive Director.

*** Please review the In-Person Open Studio and Class Safety Protocols specific guidelines and updates.