Artist Pritika Chowdhry and Dr. Jacque Micieli Discuss the Partition of India & 9/11

Category: Blog

Artist Pritika Chowdhry and Dr. Jacque Micieli Discuss the Partition of India & 9/11

Posted on by Katrina Smolinsky

9/11 is a day of reflection, of remembrance, of contemplation. The questions of “What if?” and “How did this happen?” infiltrate media stories, blogs, and posts. This year, the 22nd anniversary of 9/11 falls shortly after the yearlong 75th anniversary of the partition in India, delineating the boundaries of Pakistan, Bangladesh, and India.

The Art Center Highland Park is currently exhibiting the latest iteration of Pritika Chowdhry’s Unbearable Memories, Unspeakable Histories, Part 2: Partition Anti-Memorial Project. Over the past 15 years, she has created ten different anti-memorials with the tenth one previewing at TAC during this pivotal time.

While installing the exhibit, Pritika and curator, Caren Helene Rudman added an installation commenting on 9/11, adding to the complexity of the intersection between these massive geopolitical events in history.

TAC is proud to continue to produce thought-provoking exhibits that build on the power of art to communicate, share ideas, and hear from voices often left out of the dialogue.  This video highlights the dialogue between artist Pritika Chowdhry and author Dr. Jacque Micieli as they discuss 9/11 & Partition of India.

Member Highlight: Pauline Kochanski

Posted on by Katrina Smolinsky
Image courtesy of Pauline Kochanski.

The work of Pauline Kochanski is not easily pigeonholed. Her artistic career spans both decades and mediums, producing photographs, ink drawings, watercolor paintings, and hand-crafted ceramics. In her early twenties, Kochanski was introduced to photography and eventually earned a degree from Colombia College, then still at its original location on Ohio and Lakeshore Drive. Kochanski worked in the photo and printing industries, but all the while she was drawing. When non-degree courses were offered at the Art Institute and Truman College, Kochanski took part. “I’ve always liked having my hand to draw,” Kochanski says, “That’s why I liked the darkroom almost more than any other part of photography—because my hand was in the work.”

Now retired, Kochanski is able to make time every day for artwork: “I believe that I need to do something every day that’s about writing or visual art. Even if I’m reading about it or going to look at art, I’m participating every day in something that is creative or creates ideas. Because that is one of my main ways of identifying myself. There are so many things that I do. I meditate every day and I do yoga every day. It’s important for me to feel as if I am being myself every day.” 

For Kochanski, being herself means being a little bit of everything at once. She is not simply a photographer or ceramicist, an artist or mindfulness meditation teacher or grandmother. She is all of these things at once. “We are not all one thing at one time,” Kochanski says, “ we have many, many identities. Sometimes when people say, ‘How would you describe yourself?’ I find that a really to be a really difficult thing to answer. At that moment I am whatever I am doing at that moment.” 

Like her identity, Kochanski’s work is similarly multilayered. As Kochanski says, “In my drawings, I layer color over color. So there’s a color often underneath a black background—there’s a little gold, or a little blue, or a little red that comes out because there is always something beyond the outside. There are many layers to everything that we do, everything that we are. So even in my ceramics, the insides are smoother than the outsides, because there is a difference between who we are inside and how we present ourselves. How people perceive us is often different than how we think we are perceived. It’s not a dichotomy that we live with, it’s just that we are many things.” 

As part of our Member Highlight program, Kochanski’s ceramic works are now featured in the TAC Gift Shop. Skillfully crafted but organic in their formations, these vases, bowls, and stones feature natural hews with flecks of gold leaf. According to Kochanski, these bright additions to her work have a touching origin story: “The gold leaf is really important to me. I was doing some ceramics and a piece broke and I got really upset about it. We tried fixing it and it came out of the first firing and the piece broke off again and I just decided to work with it. I had all this gold leaf in the house that had belonged to my husband, he was deceased by that time. So I decided to gold leaf all the broken edges. So it became part of my work. It fits into the end of a poem by Leonard Cohen, where he talks about how ‘there is a crack in everything, that’s how the light gets in.’ To me it really talks about life, it’s kind of a thing that I carry with me. Because there are cracks, we are perfect in our imperfections. We are each individual. No one is like me, no one is like you. We are perfect as we are. But there are cracks that let the light come into us and let the light come out of us. Those are the kinds of things I try to carry.” 

Pauline Kochanski’s work will be for sale at TAC through September. Also, be on the lookout for Kochanski’s upcoming solo exhibition, which will be presented by the North Shore Art League at the Winnetka Community House next summer. Click here to visit Kochanski’s website. 

Are you a current TAC member interested in being featured as a future member highlight? To apply, please fill out the Member Highlight Application, found here, and email it to staylor@theartcenterhp.org or bring it to The Art Center office.

Not yet a member, but want to participate? Sign up for a TAC Membership here!

Unbearable Memories, Unspeakable Histories, Part 2: Partition Anti-Memorial Project

Posted on by James Lynch

On Mourning, Memory, and Monuments

by -Mia Morettini

On July 4 of this year, Highland Park citizens, joined by senators Tammy Duckworth and Dick Durbin and Governor JB Pritzker, gathered at City Hall to begin a procession through the city. Their march began in somber silence at exactly 10:14 am—the time at which just one year earlier a mass shooting during the city’s Independence Day parade left seven people dead and 48 others injured. This gathering was not only a moment to memorialize a tragedy. It was a reclamation of a community celebration that for the past year has been shrouded in violence. 

In “Unbearable Memories, Unspeakable Histories, Part 2: Partition Anti-Memorial Project” on view at The Art Center, Pritika Chowdhry offers her own reclamation of history. The exhibition is a reenvisioning of the historical narrative of the 1947 Partition of India, Pakistan, and later Bangladesh—a division that is historically celebrated as the independence of India from the vice grip of British imperialism. Far less acknowledged are the long-term effects of partition: masses of displaced people, violent border disputes, and ongoing crises in the region of Kashmir. 

In her approach to commemorating the Partition as a moment of empowerment for formerly colonized nations and great devastation in its social reality, Chowdhry remarked, “India’s independence in 1947 is forever linked with its ghostly twin, the Partition.” Spectrality is key to approaching Chowdhry’s work in its form, content, and significance to the Highland Park community.

By meticulously casting latex segments of significant monuments to the Partition in Delhi, Lahore, and Dhaka, Chowdhry is able to bring great stone and marble monoliths into the intimate space of The Art Center’s gallery. These casts bear only the traces of their architectural sources—an emboss of relief carvings and brick and mortar—and gain an embodiment reminiscent of flesh or fauna. While the original monuments are popular sites of tourism and pilgrimage, Chowdhry’s casts float from ceilings, bear visible wrinkles and blemishes, and cast semi-opaque shadows as light streams through their thin skin.

Chowdhry allows the monuments to take on a life beyond their didactic roles as markers of history and sites of remembrance. She presents them as works of art—sculptures to be studied closely, situated amongst, and contextualized within contemporary discourse. Moments of familiarity and definition in Chowdhry’s anti-monuments are overwhelmed by the new interpretations and interactions they take on in the gallery. These efforts illustrate her counter-memory lens—that is, a memory formation built through lived experiences and social realities rather than widely acknowledged historical narratives. In her fleshy, haunting notations of the partition, Chowdhry illustrates that history is not a fixed point outlined by a handful of monuments, but something strange, personal, present, and ever-shifting.

For the sake of healing, counter-memory work could be an important project for Highland Park. While ostensibly distanced from the histories Chowdhry’s anti-monuments reference, this audience can find companionship with her approach, perhaps even a rubric to take note of– challenge the ubiquity of American mass shootings, remember together– in small moments and grand gatherings. And in the act of memorializing, hold space for celebration, challenge, strangeness, even haunting. History lives within and through the present day, and it is our task to continue to reckon with it.

 

 

Toy Gun Teddy Bear Installation

Posted on by Katrina Smolinsky

Blog Post Written By “Toy Gun Teddy Bear” Creators Beth Enterkin, LCPC, Julie Ludwick, LCPC, ATR-BC, and Adrienne Weiss, LCPC, ATR. 

This grassroots community art project was born when Marion Greenwood posted a question on a Highland Park community Facebook page asking what could be done with the toy guns that her children owned. Marion and other Highland Park families no longer wanted these painful reminders in their homes and were seeking responsible ways of disposing of these toys, which cannot be recycled.  Upon seeing Marion’s post, Beth Enterkin responded that perhaps they could be turned into art.  As an Art Therapist who has focused her career on the healing of trauma survivors, Beth’s belief is that transforming our trauma triggers creates space for healing in a way that goes beyond simply disposing of them.  She saw this as an opportunity to do something transformational by taking an object that represents something terrifying and coming together as a group to reshape it into something beautiful, empowering, or comforting.  

Other Highland Park parents and community members began commenting that they and their kids wanted to be involved, too, and as the interest grew, it became clear not only that there was support for this project in the community, but also that it was a powerful and all too rare opportunity for kids to get involved in the healing of their town, not just as recipients of support and care, but as young, growing agents of change themselves.  Kids wanted to turn in their toy guns and wanted to be part of the process of transforming them into something new.  In mid-July 2022 The Art Center Highland Park allowed us to set up a collection box in their entryway where kids could drop off toy guns in a symbolic act of standing against gun violence.  In just a short time we collected many Nerf guns, squirt guns, and other gun-like toys that children were willingly donating to the project.  Every toy gun used in this project was donated by a child from Highland Park, in the wake of our community trauma.  Of course, we do not seek to shame other families for choosing to keep toy guns in their homes, or to erroneously link playing with toy guns with future violence (studies have not found a clear link.)  The goal of this project is to honor the families and children who decided that they no longer want to own or play with toy guns, and chose to donate their toys, by creating something meaningful out of them.  

The next step, determining what to do with the toy guns that had been donated, was more complicated.  We were inspired by the artist Corrina Sephora, a blacksmith who transforms real guns into works of art with the hopes of creating a dialogue about the impact of guns on our communities and society.  Corrina talks about a traditional belief that there is a type of spirit in the metal she works with, as a natural element from the earth.  She works with a concept that she can “set the metal free” or spiritually transform it from a gun into something beautiful.  It quickly became clear that the plastic guns we had collected were materially quite different.  We spoke to experts in plastics recycling and engineering, and discovered that this material is incredibly difficult, and even dangerous, to work with.  Melting them down would release toxic fumes.  Smashing them would release shrapnel.  Disassembling them would be very time intensive. From a practical and safety standpoint, we would have to leave the toy guns whole, and so we began to think about how we could transform all of the donated toys together, as a group, using them as building blocks to create a sculpture.

After discussing many possibilities with the group of parents, community members, and Art Therapists who came together, the idea of the teddy bear was chosen because of its poignant symbolism of childhood and innocence.  If the goal is to transform the toy guns, what could be more transformational, more different from the idea of a gun, than the idea of a teddy bear?  Corrina Sephora often transforms the real guns she works with into flowers, birds, and other organic shapes, returning the metal to a natural form.  The plastic of these toys was man made, and intended for children as a plaything.  So it felt fitting to return it to the form of something playful and childlike.  Interestingly, the symbol of the teddy bear has an inherently pacifist history, having been named after Teddy Roosevelt who infamously refused to shoot a bear.

There is a push and pull between the imagery of toy guns and that of a teddy bear.  Although both are childhood playthings, one symbolizes innocence and comfort, the other aggression and even, to some, trauma and violence.  The cognitive dissonance of seeing toy guns inside a teddy bear highlights the dissonance we face as we navigate parenthood and childhood after a mass shooting.  Viewing this piece calls up many uncomfortable questions:  What is the significance of the toys we give to our children to play with?  How do we raise children in a society where mass shootings like the one we experienced here in Highland Park occur again and again?  (see footnotes and)  And, as one community member who helped to collect the donated guns put it “when there are so many toys available to kids to spark the imagination, why imagine shooting?”  We don’t pretend to have all the answers, but confronting our own discomfort and dissonance is an essential step. As Art Therapists, guiding communities and individuals to find safe ways to express and explore their own cognitive dissonance about troubling subjects is often a part of our work.

Before even putting this piece on display, we have wrestled with a variety of responses from those who have viewed the sculpture, ranging from gratitude and enthusiastic support to anger.  These reactions are a reflection of the polarization in our society, as well as the shattering, splintering nature of trauma.  People may see their own traumas and biases reflected in this piece, and as such, viewing it might not be comforting to everyone. Although the sculpture we have created may be viewed as provocative, the process of creating it was a healing experience for those involved.

For those of us who worked on the piece together, we enjoyed a sense of community and benefited from talking about our shared experiences while actively making something with our hands.  We had discussions about the impact of the shooting on ourselves and our families and ways we have chosen to act and take care of ourselves in the aftermath. We supported and empathized with one another. We found grounding in the repetitive nature of building a structure out of chicken wire.  We also experienced the frustrations of working with materials that were not always forgiving and enjoyed the group problem solving efforts we took on together.  We celebrated milestones along the way, the finishing of certain elements, the relief and joy that certain parts were taking the shape we hoped for. The ups and downs of our art process mirrored the ups and downs of our own healing processes and grew more pronounced as we edged closer to the anniversary of the shooting.  We felt immense pressure to complete this sculpture in time for that date and felt an equal sense of relief when the majority of our work was complete in time for us to rest and regroup with our own individual communities and the larger Highland Park community over the July 4th weekend. 

While one of our goals in creating this piece was transformation, we also sought to provide containment.  Containment for us meant to make these toys less accessible, to in some way, at least symbolically, neutralize the threat of potential violence.  To accomplish that, we created containers, armatures constructed from chicken wire, to encase the toy guns.  We also wrapped some portions of the armatures in plaster gauze, both obstructing the viewer’s eye from some of the guns and creating more of a barrier to accessing the items that are locked inside. Perhaps the most debate we had during this project was whether to cover more of the sculpture with plaster or to leave it as is (plaster covering the teddy bear’s head plus a t-shirt with a window in the center).  Questions we asked ourselves included: What feels safer? What reflects our intention more strongly?  What does the community need? And aesthetically, what works better? Feedback from community members and our group’s own perceptions fueled some concern that we did not provide enough containment, enough safety in our sculpture for the community to be able to view it safely.  We had to dive into our own trauma reactions and check in with the pulse of the community and where it was taking them.  In the end, we have decided that the toy guns need to be seen to have the intended impact, but with sensitivity and acknowledgement to those who may not be ready or able to view objects that symbolize violence and potentially trigger trauma reactions.  We intend to provide some word of caution, so that viewers can make a decision for themselves about whether to view the sculpture or not.  These toys, so easy to obtain and often used without consideration of what they are modeled after, become a strong symbol when viewed within the context of the shared experience of our community and the larger society that is impacted by gun violence. We realized in processing this dynamic, that our art process mirrors the internal struggle we share in wrestling with the fact that we have not been able to take away the threat of gun violence from our families and communities. But what we have done is come together in a powerful way and we hope to share our experience and our art with the Highland Park community and beyond.

We chose to wrap the teddy bear in plaster gauze, the same material that is traditionally used to create casts for broken bones; a symbol of healing.  Some of the children and families who originally donated their toys to this project came out to help with the construction of the bear and the application of the plaster gauze. As we worked, we discussed the white color of the plaster gauze we were working with. Should we leave the bear’s face, neck, and t-shirt white? The white color of the plaster gauze caused us to reflect on our racial identities. We discussed gun violence in the United States and acknowledged that BIPOC communities and individuals are more likely to be affected by gun violence.  It is important to recognize that BIPOC communities are disproportionately affected by gun violence while simultaneously typically having less resources to support healing in the aftermath. Black Americans are 10 times more likely than white Americans to die by gun homicide.  Hispanic and Indigenous people are more than twice as likely to die by gun violence than white people. 

In light of the impact of gun violence on communities of color, and the whiteness of the plaster material, we wondered if we should paint the bear, covering the white gauze with color. In the end, we chose to leave the bear white to support our original intention to symbolize a cast, viewing it as a symbol of a healing material rather than of skin color.  We invite anyone who may feel so moved to use a sharpie to write a message of hope for healing on the bear, much the way you might write “get well soon” on the cast of a friend with a broken bone.  Although it is our psyches, our community, and our society’s relationship with real guns that needs healing, not the toys inside this sculpture, we hope that the symbolic acts in this process, from donating or giving up a toy gun, to wrapping a sculpture in plaster gauze, to signing the outer cast, can provide some opportunity to be a part of a process of transforming the pain that our community has endured into comfort, hope, and dialogue about change.

Special Thanks to all the children who donated toy guns to this project, Marion Greenwood, Steve Sarowitz and family, and The Art Center Highland Park

  1. Highland Park’s parade shooting was one of 636 mass shootings in the US in 2022, according to Every Town for Gun Safety https://everytownresearch.org/mass-shootings-in-america/
  2. Including Highland Park’s parade shooting, there were 720 mass shootings in the US in the 1 year from 7/4/22 to 7/4/23 https://en.wikipedia.org/wiki/List_of_mass_shootings_in_the_United_States_in_2022 https://en.wikipedia.org/wiki/List_of_mass_shootings_in_the_United_States_in_2023

Greeting Cards for a Cause

Posted on by Katrina Smolinsky

Have you ever emptied every drawer in your house, searching for a blank greeting card before a birthday party? TAC students from Ina Beirle and Alexis Kanarek’s Mixed Media: Collage and Assemblage class have you covered! Stop by TAC’s gift shop and pick from a wide variety of colorful collaged greeting cards.

The class crafted these cards in honor of their friend Joyce Koenig, a “rare and compassionate woman.” All sales of the cards will benefit funding arts education at TAC.

About Joyce Koenig:

Joyce was a generous woman and artist. She was socially conscious and as a Reiki Master, she worked with hospice patients.

Walking down the flight of wooden stairs off her kitchen, you entered the basement of her lovely house. Set with big tables and stools, one could meet a friend or make new friends there while decorating the front of a white card. Joyce was particular about everyone using the various papers she had—and there was a lot—along with other materials to add to a card, like glitter or sections of old greeting cards.

Joyce entertained anyone who volunteered to make cards: artists, non-artists, birthday parties, and all sorts of get-togethers. She appreciated anyone willing to use their creativity and always had snacks set out for people to enjoy while making one-of-a-kind artwork.

Joyce sold the cards at various sales, like holiday bazaars. The money she earned went to support a camp for children with cancer.

 

 

 

Late Night at the Galleries

Posted on by Katrina Smolinsky

Late Night at the Galleries

6:00-8:00 PM on June 14, July 12, and August 16

Join us this summer for the return of our Late Night at the Galleries series! Bring a blanket, dinner, lawn chairs, and enjoy three concerts featuring Crossing Borders Music on The Art Center’s front lawn. Our galleries will also stay open late for after-hours viewing.

The Late Night at the Galleries concert series is a part of TAC’s Arts in Action programming, sponsored by Jessica & Steve Sarowitz and the Wayfarer Theater. Through active promotion of diversity and inclusion in the arts, TAC seeks to include everyone in its ongoing mission to be the North Shore’s home for creative exploration. Alongside Crossing Borders Music, TAC hopes the community will join us in celebrating the unique musical traditions of Haiti, Cambodia, and Black American composers this summer!

 

June 14, 6-8 PM: Roots: Haitian String Trios

Hear string trios by Haitian composers “rooted” in the beauty of Haitian culture and its unique history, religion, and folk traditions! Music by Werner Jaegerhuber, Rudy Perrault, Sabrina C D Jean Louis, plus folk song arrangements by Julio Racine celebrate Haiti’s revolutionary freedom-seeking origins, its folk music, its unique religious traditions—and its connection to Chicago through Chicago’s founder, Jean Baptiste Pointe du Sable!

 

July 12, 6-8 PM: Cambodian Music: The Living Tradition

The Crossing Borders Music String Quartet joins Nisa Pov, Resident Artist of the National Cambodian Heritage Museum and roneat ak (Cambodian xylophone) performer for an amazing night of new arrangements of Cambodian classics! The performance includes beautiful new arrangements made by Crossing Borders Music violinist Rasa Mahmoudian and overseen by Pov for the Cambodian Day of Remembrance. Be one of the first people to ever hear this amazing fusion of Cambodian and European traditional instruments—live and in-person!

 

August 16, 6-8 PM: Looking Back and Looking Forward: African-American Composers

This program features music by Black American composers of yesterday and today, including “Five Folksongs in Counterpoint” by trailblazing, early 20th century Chicagoan Florence Price – plus a reading of new works by four youth composers from Chicago’s West side! The program will also include “Rara” by Jean “Rudy” Perrault, “Forgotten Royalty” by Jessica T Carter, and “Stand Up (for Breonna Taylor)” by Jordyn Davis – all commissioned by Crossing Borders Music. Plus, hear a world premiere performance of the fun and expressive music of Thomas “Blind Tom” Wiggins arranged for string quartet by AJ Isaacson-Zvidzwa!

 

Interested in sponsoring a Late Night at the Galleries event? Contact us at info@theartcenterhp.org.

Knitting Communities Together

Posted on by Katrina Smolinsky

 

Calling all knitters and crocheters!

Knitting Communities Together is an all-ages, multi-town art project aimed at bringing joy, comfort, and camaraderie to the residents of Highland Park and its neighboring communities. Through the therapeutic and community-building process of knitting, we are calling on residents of Highland Park and the surrounding communities to come together to knit or crochet colorful yarn creations over the course of six weeks, culminating in a colorful and collaborative art installation.

The Art Center Highland Park (TAC) will host free, learn-to-finger-crochet classes. No experience is required and all supplies will be provided! TAC will also have bins for donated yarn and finished knitting if completed on your own.

TAC Class dates:

  • May 22nd, 6 pm – 7:30 pm
  • June 1st, 4 pm – 6 pm
  • June 3rd, 10 am – 1 pm

“Coloring Day”, meaning the art installation, will take place on June 29th at 3:30 pm when we will come together in Sunset Woods Park in central Highland Park to wrap trees with our colorful yarn creations. This is an all-inclusive event — all of HP and its surrounding communities are invited to participate in this joyful process!

For more information, reach us at info@theartcenterhp.org

Additional drop-in knitting and crochet opportunities:

Park District of Highland Park at West Ridge Center Room 1 on Monday evenings from May 8 – June 19 (excluding Memorial Day) from 6-8 p.m. A non-instructional opportunity for knitters to gather (novice knitters are welcome – knitters love to help others learn!). Two bins will be available – one with donated yarn for all knitters to utilize (or donate to) and another for completed strips of knitted yarn.

Other opportunities may arise for knitters to gather – these opportunities will be shared on the Knitting Communities Together 2023 Facebook page. Knitters can share progress, request, or offer yarn to other knitters and learn or post about knitting gatherings. Join today!

 

 

Geraldine L. Mailender: Member Highlight Interview

Posted on by Katrina Smolinsky
Image courtesy of Geraldine L. Mailender

Geraldine L. Mailender TAC Member Highlight Interview

After spending her formative years in Pittsburgh, PA, artist Geraldine L. Mailender attended The Ohio State University and earned an advanced degree in Occupational Therapy. Mailender then opened a successful occupational therapy health and wellness practice in Cincinnati, OH, where she raised her two children. After making her way to Florida, she was presented with the trip of a lifetime: a tour of the National Parks. From Grand Teton to Yellowstone to Mount Rushmore, Mailender absorbed the vibrant colors of America’s most pristine landscapes: lavender-grey mountains, deep blue waters, and the red-dotted fields of Indian paintbrush. “I saw such beauty, the colors are amazing,” says Mailender. “The wildflowers reminded me that I’ve been doing embroidery since I was seven years old.”

Her background in embroidery translates seamlessly into the work inspired by her travels. Combining Japanese embroidery techniques with watercolor paintings on silk, Mailender began to create her unique works of art. The silk Mailender embroiders upon is 34 momme—momme is the unit of measurement for silk’s density, the higher the count, the more threads—a dense, luxurious canvas for her watercolors. She buys the silk in large bolts sourced from France and Italy, then precisely cuts and finishes them into 18-by-18 squares: “I stretch the silk onto the Japanese wooden frame, there is no taping, no pasting, it’s all done with needles, no knotting. There is a step and a process to everything. So I do the painting, I do the embroidering, then I take it off and mount it over museum-grade poster board.” 

Geraldine L. Mailender, Mental (Healing, Learning)

Though the Japanese Embroidery Center is located in Atlanta, GA, Mailender was able to take part in weekend retreats given by an instructor from the Center living in Florida. After learning the basics of Japanese embroidery techniques, Mailender began experimenting in her own practice, inspired by her trip through the National Parks: “I began experimenting with the light, which was so important. On those trips, you get your money’s worth, they have you up at the crack of dawn. So I really got to see when the sun first comes up over Grand Teton it really is red, then turns to gold, so I thought, ‘Oh my God, I’ll get a chance to use gold floss.’” 

Mailender’s careful attention to light is reflected in the three pieces featured in The Art Center’s gift shop. Delicate threads of gold cast over pink and blue mountain silhouettes recall morning light brimming over the horizon in Mental (Healing, Learning). While bronze light dominates the frame in The Great Eclipse, a piece celebrating the beauty of the August 21st, 2017 total solar eclipse. These pieces and more can be found in The Art Center’s gift shop from now until July 1, 2023, as a part of our Member Highlight Program.

Want to learn more about Geraldine L. Mailender? Click here to visit her website.

 

Are you a current TAC member interested in being featured as a future member highlight? To apply, please fill out the Member Highlight Application, found here, and email it to staylor@theartcenterhp.org or bring it to The Art Center office.

Not yet a member, but want to participate? Sign up for a TAC Membership here!

TAC 6 Month Update

Posted on by Katrina Smolinsky

We made it a policy to send you a 6-month progress report on how The Art Center Highland Park is fulfilling your expectations and using your generous support dollars. Our fiscal year starts in September, so March is our half-year mark. That means it is appropriate for you to ask: are we doing our best?

What’s New?

  • We are serving a whole new audience. Recently we began a collaborative program with Arts of Life, a not-for-profit for creative adults with developmental disabilities. The program has expanded from one class to three, with AOL staff working in our studios. All students are on scholarship and we don’t turn anyone away.
  • Post July 4, we continue to offer monthly programs for those affected by the tragedy. We plan to continue this partnership with The Art Impact Project.
  • EXCHANGE Events are now happening every month – thanks to a generous grant from Jessica and Steve Sarowitz and Wayfarer Theater we have underwriting for the next 12 months of EXCHANGE programming.
  • One more full-time employee. We now have a full-time marketing and design associate and our social media results are impressive. That could be why attendance at our events is so high!
  • The BEST place to be—as part of our initiative to be the favorite studio/gallery/meeting space on the north shore we have begun projects to make TAC a more welcoming space:
    • The jewelry studio has an additional studio space for the hydraulic press and a 5S-organized tool wall.
    • The mosaic studio had a MAJOR facelift with a new wall color, better-organized shelving and storage, new work tables, high back stools, and a 50” TV for demonstrations.
    • The hallways on the lower level are getting a warmer paint color and, thanks to a local Girl Scout Troop, are decorated with a beautiful new mural.
    • The lower lobby has a new paint job, too, with café tables, a coffee maker, a microwave, a mini-fridge, and a community chalkboard. We’re adding bench seats and a library next to make this a between-class hangout for faculty and students.
    • The Atrium space/student entry has new comfortable gallery-style seating and a couple of magazine racks that we keep stocked with the latest magazines from the world of arts and culture.

What Continues to be Successful?

  • Our Recycled Art Sale was a record-breaker! Generous donations from the community made this community favorite a big success. Next year we are moving it back inside the galleries after three years of COVID-safety awareness. That’s good news for our volunteers who will not have to huddle over space heaters or hold down the tent flaps in the fall winds.
  • Education is bouncing back. The 2023 Winter Session saw pre-COVID registration numbers as we continue to invite new teachers to our faculty and add new programs for all ages and skill levels. We have even added introductory prices for new classes and teachers to bring in a whole new group of students who we hope will stay with us for a long time.
  • EXCHANGE Events are growing. As mentioned above, along with underwriting, our recent speakers have been very popular and high-profile. Sculptors Donald Lipski and Omri Amrany, puppeteer Sam Lewis, artists Norman Teague, Rene Arceo, and Indira Johnson, and documentary filmmakers Bob Hercules and Brett A. Schwartz have educated and entertained full audiences of delighted patrons.
  • Senior Center Classes will continue. Since the Highland Park Senior Center moved to its new space, we have been their new home for all the art classes they offer.
  • Our gallery has hosted one amazing exhibit after another, with a ‘best of’ rating from New City Magazine, features in Sheridan Road Magazine, Highland Park Neighbors, reviews in the Chicago Reader, and a shout-out in the New York Times.

 

What’s Coming?

Late Night at the Galleries returns. We are booking musicians for our summer series of picnics and concerts on the lawn, giving evening access to our gallery exhibits. Want to be part of an energetic drum circle event?

Partnerships and collaborations. We are hosting or planning projects with as many of our partner not-for-profits and arts and culture providers as possible: The Balance Project, East on Central, Short Story Theatre, The Art Impact Project, Sister Cities, The Park District Highland Park, Highland Park Library, Highwood Library, the Wayfarer Theater at Renaissance Place, Facets Multimedia – and the list keeps getting bigger.

The Passion Project and Ignite Passion. Every spring we choose one hyper-dynamic exhibit as the setting for our annual spring benefit. This year we are celebrating our passion. As we say in our Vision Statement, “The Art Center Highland Park’s vision is to be a cultural destination that inspires and ignites a passion for the arts; providing a forum for self-expression, dialogue, and community engagement. On Friday, May 5, TAC will undoubtedly be the best place to be, with cocktails, a DJ, a silent auction, a raffle, live painting, art demonstrations, and a special performance by the world-famous Hubbard Street Dance.

So, back to our original question: are we doing our best? We hope you feel we are and that you remain confident in our ability to continue to offer creative and challenging gallery exhibits, a wide-ranging series of arts-related classes and instruction, and community-building programs that are unrivaled on the North Shore.

Thank you for your support!

The TAC Team

School and Group Gallery Tours

Posted on by Katrina Smolinsky

The Art Center is now offering School and Group Gallery Tours!

The program includes a docent-led tour of our current exhibit and a hands-on art activity that is connected to the theme or topic of the current exhibition.

The Art Center Highland Park has a richly deserved reputation as a regional arts destination with exhibits rotating at an average rate of every 6 weeks. For many North Shore school groups, it is much more convenient to make the trip to TAC than to visit The Art Institute or the Museum of Contemporary Art.

Scheduling: In most cases, groups can be scheduled with as little as a week’s notice, though two weeks’ advance notice is preferred.

Participants: Programs can be adapted for any age, including adults, and we can easily accommodate groups of up to 30 participants.

Pricing*: $20 per student for a half-hour docent-led tour of the exhibit(s) and a 30-35 minute hands-on art activity with all materials provided.

Timing: Our galleries are open from 10-4 PM, Monday through Saturday

Parking: There is plenty of public and street parking available.

Up Next: To preview upcoming exhibits at The Art Center visit https://theartcenterhp.org/exhibitionsh/up-next/ or call 847-432-1888.

 

*We will never turn a group away because of budgetary concerns. Contact us if you have questions.

Looking for a program that is made to order? All of our programs are fully customizable. Call and arrange a consultation with our Director of Events, Jackie Chilow, at 847-432-1888 or email Jackie at jchilow@theartcenterhp.org.