My current work explores ideas of transcendence within a domestic setting and the psychology of motherhood. As a primary caregiver of young children, the majority of my time is spent at home. This can sometimes feel isolating and mundane, but beginning in the late afternoon through the early evening hours our house becomes a repository for light reflections, refractions and shadows. The ghostly patches of light always take on different and fleeting forms and the imagery morphs minute by minute before disappearing abruptly. These ephemeral images appear at a time when everyone is tired, hungry and lacks self-control, providing a transitory respite from the micro-necessities of daily life and the macro-anxieties of the outside world, and facilitating a connection to the curiosities of nature and the creative spirit.
The title of the series refers to both the historic, literary meaning of “The Witching Hour” as the time of night, usually between 12-3am, when the spirit world is at its most active as well as the contemporary meaning that parents of young children use to refer to the hours just before bedtime when children are at their most chaotic and intense. By choosing to photograph using medium format film, I create space and time to slowly investigate and compose these images. In some, the texture of a wall or a small chip of paint is the only aspect suggesting an object or sense of place, thereby juxtaposing the ethereal and the ordinary. This ongoing series explores the urge to find and document these fleeting but sublime moments of discovery, mystery, whimsy and hope.